Cipher n. 14

Regular Glass: The cheapest and most common form of frame glazing, regular glass protects your art piece from dust and scratches only. This glazing is susceptible to breakage and does not protect your artwork from harmful UV rays or contain any anti-glare properties. This glazing option is only available for Mini and Small prints. (more)

Acrylic Glazing: Resistant to breakage, acrylic glazing is popular for its light weight and easy maintenance. This type of glazing provides superior clarity, along with physical protection from dust and scratches. (more)

Anti-glare Acrylic: Anti-glare glazing enhances the beauty of the artwork with a matte-like finish that scatters light to prevent any unwanted glare or reflection. It is the best glazing option available in the market. Along with its nearly invisible finish, it also protects the artwork from harmful UV rays so your framed pieces do not fade or deteriorate over time. (more)

Matboard
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Price
Rs.1075.00
 

Ships In

48 - 72 hours.

Out Of Stock
Description

Canvas Prints are museum quality giclee pieces printed on Hahnemuhle Monet Canvas (410gsm) - a white, 100% cotton canvas which guarantees archival standards and is water resistant. We use Epson Ultrachrome K3 Archival Ink to ensure amazing color fidelity, gloss level, and scratch resistance, while providing stable colors. All our canvases are shipped rolled (without frame).

 
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About this artwork

From the series “Code”, oil and pencil on paper, 30 x 30 cm. When we consider a road map or a map of the territory we note that they contain different information that are represented by different means, according to the purpose for which they were created: each time we find colors, symbols and words that recall a precise meaning. What happens if I take these techniques of representation, these symbols, and take off the scope for which they were created and mingle them with each other? Will it be for the reader a text in a foreign language, that is meaningless, or through the world of associations and references that each of us possesses, will generate a new language and associate to those images a new meaning? In these drawings, the invention of the map of a city is only a pretext. Gradually, by changing the shapes, colors and the hierarchy of associations between the various elements I explore the possibilities of changing this language increasingly moving away from its original meaning.

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