Fearless by Aruna Chandrasekar

Regular Glass: The cheapest and most common form of frame glazing, regular glass protects your art piece from dust and scratches only. This glazing is susceptible to breakage and does not protect your artwork from harmful UV rays or contain any anti-glare properties. This glazing option is only available for Mini and Small prints. (more)

Acrylic Glazing: Resistant to breakage, acrylic glazing is popular for its light weight and easy maintenance. This type of glazing provides superior clarity, along with physical protection from dust and scratches. (more)

Anti-glare Acrylic: Anti-glare glazing enhances the beauty of the artwork with a matte-like finish that scatters light to prevent any unwanted glare or reflection. It is the best glazing option available in the market. Along with its nearly invisible finish, it also protects the artwork from harmful UV rays so your framed pieces do not fade or deteriorate over time. (more)

Matboard
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Price
Rs.325.00
 

Ships In

24 - 48 hours.

Out Of Stock
Description

Our posters are custom cut and made available in six maximum sizes - Mini, Small, Medium, Large, Extra Large and King Size. Mini and small sizes are printed on a Lykam Gloss surface, while medium to king sizes are printed on a Matte poster surface with silk-like texture. These posters are a pleasant move away from the stiffness of most posters. When your awesome collection arrives by mail, you can be sure that they'll be crease-free and in mint condition.

 
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About this artwork

Aruna Chandrashekar's piece talks about the very concept of 'traditional Indian values'. In her words, 'we forget non-patriarchal indigenous cultures that go back to the birth of civilization on this sub-continent. Many adivasi cultures are matrilineal. Women are considered & honored as equal to men; they dress & socialize without the slightest social censure. There is no such thing as dowry, widow remarriage is the norm, rape or even insulting a woman is considered a great crime. Instead of having their social mores recognized & imbibed, they have been branded backward and undeveloped, made victims of sexual violence by government officials & security forces for centuries, stories of which are scarcely reported in the mainstream. It is time that their narrative become part of ours, as we confront cultural stereotypes, & return to a civilization where both nature & women command respect, free from fear & subjugation. The image is of a woman from the Dongria Kondh adivasi community in the Niyamgiri hills of Odisha, who won a historic fight to save their sacred mountain from mining by Vedanta, a UK-based mining company.'

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